![]() ![]() “An album is like a Rubik’s Cube,” she says. ![]() “I just try to do that in a way that uses abstract imagery as well.” I’m a big fan of conversational songwriting,” she adds. “The clarity of Bob Seger is unmistakable. The former relays her imperative to connect with listeners. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). Tellingly, Mering classifies Titanic Rising as the Kinks meet WWII or Bob Seger meets Enya. ![]() Maneuvering through a space-time continuum, she intriguingly plays the role of melodic, sometimes melancholic, anthropologist. ![]() Natalie Mering) has, too, designed her own universe to soulfully navigate life’s mysteries. Through her latest, Titanic Rising, Weyes Blood (a.k.a. The phantom zone, the parallax, the upside down-there is a rich cultural history of exploring in-between places. Kinda crazy when you’re looking right through me And she explains the whole story from departure until the death of Titanic on its first and last voyage April 15th, 1912 at 2:20 in the morning.For all the pain and things you’ve been through Meanwhile, a drifter and artist named Jack Dawson and his best friend Fabrizio De Rossi win third-class tickets to the ship in a game.
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